presumed role based on incomplete evidence; for burials, we know the burial is in this church, we think it is in this tomb; for patronage and other relationships, there is evidence to suggest the connection, but it has not been confirmed
person who receives rights to and responsibility for a memorial through inheritance
Alternate Names: descendant; inheritor
Getty ID: 300258972
circa 1396 (date is approximate)
surmised
presumed role based on incomplete evidence; for burials, we know the burial is in this church, we think it is in this tomb; for patronage and other relationships, there is evidence to suggest the connection, but it has not been confirmed
person who receives rights to and responsibility for a memorial through inheritance
Alternate Names: descendant; inheritor
Getty ID: 300258972
surmised
presumed role based on incomplete evidence; for burials, we know the burial is in this church, we think it is in this tomb; for patronage and other relationships, there is evidence to suggest the connection, but it has not been confirmed
person who receives rights to and responsibility for a memorial through inheritance
Alternate Names: descendant; inheritor
Getty ID: 300258972
surmised
presumed role based on incomplete evidence; for burials, we know the burial is in this church, we think it is in this tomb; for patronage and other relationships, there is evidence to suggest the connection, but it has not been confirmed
[a] Giovanni's son Amerigo was noted in later sepoltuari as the owner of the tomb, indicating it would have first passed to him.
[b] Only the 1439 Santa Croce sepoltuario and its copies mention Messer Amerigo's wall tomb, suggesting that it was removed when the tramezzo and choir were taken down in 1566.
For the dismantling of the tramezzo see Marcia B. Hall, “The ‘Tramezzo’ in S. Croce, Florence and Domenico Veneziano’s Fresco.” The Burlington Magazine 112, no. 813 (1970): 799.
