Memorials

Ornamental areas of distinct pattern, material, color, or shape around the edge or boundary of something. With regard specifically to tapestries, refers to the areas around the central field outside the inner guard and within the guard that edges the outer sides of the tapestry. For the narrow surfaces showing the 'thickness' or smallest dimension of thin, flat objects, as distinguished from the broad surfaces, see "edges (object components)."

the escutcheon, or shield, carries the arms in the heraldic achievement

Alternate Names: coat of arms; heraldry

Getty ID: 300126352

words, texts, lettering, or symbols carved, inlaid, or painted on a memorial

Alternate Names: monogram

Getty ID: 300028702

ornamental design composed of repeated geometric shapes

Getty ID: 300165213

shield-like motif, with a form combining oval and triangular elements, typically having three sides, often rounded, with the form being wider at the top and tapering to a point at the bottom; often elaborated with strap-work, scrolls, and mantling

Alternate Names: shield of arms

Getty ID: 300247394

marble with a mineral composition resulting in a predominantly white color; Italian varieties include Carrara and Istrian; ancient sculpture used Parian, Pentelic, and Naxian

Getty ID: http://vocab.getty.edu/page/aat/3000115

a light or dark green massive serpentinite, commonly with veinlets of calcium carbonate and magnesium carbonate. It is capable of being polished and is commercially considered a marble; it is also considered to be among the highest-quality serpentinites.

Alternate Names: verde antico; verd antique

Getty ID: http://vocab.getty.edu/page/aat/300171549

a red marble often used in antiquity

Alternate Names: rosso antico; rouge antique marble

Getty ID: http://vocab.getty.edu/page/aat/300011531

copper-tin alloy; refers to a broad range of alloys of copper, specifically any non-ferrous alloy of copper, tin, and zinc or other trace metals in varying proportions from 70 to 95 percent copper in surviving ancient artifacts. Because of the copper base, bronze may be very malleable and easy to work. By the Middle Ages in Europe, it was recognized that using the metals in certain proportions could yield specific properties. Some modern bronzes contain no tin at all, substituting other metals such as aluminum, manganese, and even zinc. Historically, the term was used interchangeably with "latten." U.S. standard bronze is composed of 90% copper, 7% tin and 3% zinc. Ancient bronze alloys sometimes contained up to 14% tin.