Memorials

S. Jacopo soprarno Piero di Vanni Antinori

S. Jacopo soprarno -- chiostro a	circa 1330s (date is approximate) to circa 1743 (date is approximate)
S. Jacopo soprarno -- chiesa di S. Jacopo -- loggetta	1743 to present b

Memorial Type
Status	extant
Current Repository	moved
Primary Installation	floor
Secondary Installation	with wall component(s)
Tomb Form	rectangular
Liturgical Orientation	unk
Documented Types	lapida
Component Parts
Decorative Elements	shield shield-like motif, with a form combining oval and triangular elements, typically having three sides, often rounded, with the form being wider at the top and tapering to a point at the bottom; often elaborated with strap-work, scrolls, and mantling Alternate Names: shield of arms Getty ID: 300247394
Material
Database ID	31549

circa 1330s (date is approximate)
1743

S. PETRI VANIS AN /
TINORII 7 FILIOR

The tomb of Piero di Vanni Antinori and of his sons

Antinori, Piero di Vanni di Filippo di Antinoro		fourteenth century to present
Antinori, Gaetano (messer) di Amerigo di Pierantonio di Giovan Battista di Antonio		1743

fourteenth century to present

1743 to present

Catalogo generale dei Beni Culturali	rec. 0900159072
G. Richa, Notizie istoriche delle chiese fiorentine	vol. 10, p. 331

[a] Giuseppe Richa notes that the ancient Antinori stone in the loggia of San Jacopo had been in the cloister or canonry. Its absence in Rosselli's description of the cloister raises the possibility that it had been taken down prior to its installation in the loggia.
[b] In 1743, Gaetano d'Amerigo Antinori installed a fourteenth-century marker belonging to his family in the portico of San Jacopo sopr'Arno. It is not clear whether the ancestral tomb was originally in the cloister or residential buildings of San Jacopo, as Giuseppe Richa surmised, or in another church altogether. It is tempting to see it as the marker from the family tomb once in the crypt of Santa Croce that was transferred to the Bellacci family around 1441. However, the 1439 sepoltuario indicates that it belonged to Vanni and Lapo Antinori, though it may not have been finished with a marker.