individual has matriculated, joined, or been named to this group, including one who has joined a monastery, friary, or convent as a member or third order
individual has matriculated, joined, or been named to this group, including one who has joined a monastery, friary, or convent as a member or third order
individual has matriculated, joined, or been named to this group, including one who has joined a monastery, friary, or convent as a member or third order
individual has matriculated, joined, or been named to this group, including one who has joined a monastery, friary, or convent as a member or third order
individual has matriculated, joined, or been named to this group, including one who has joined a monastery, friary, or convent as a member or third order
group had rights to appoint institutional leaders and/or responsibility for the construction and upkeep of the building
Notes
[a] An eighteenth-century addition to the sepoltuario of 1596 indicates that the tomb of maestro Francesco had passed to the Opera, but does not indicate when, following a notation in the margins of the original 1596 register, thus suggesting ownership by the opera since at least the Cinquecento.
[b] A notation added at the end of the sepoltuario of 1596 records that the Tinacci tomb in the left transept had reverted to the Opera, but a date is not provided.
