Memorials

S. Procolo 03.2 Altare della Nunziata de Ricciardi e Baldovini del Pannocchia a

Situated In

Rosselli Number	3.0
Memorial Type	altar
Status	extant
Current Repository	in situ
Primary Installation	na
Secondary Installation	na
Tomb Form	na
Liturgical Orientation	S
Documented Types	altare
Component Parts	mensa frame
Decorative Elements
Database ID	32014

Dates

1622
1739 to 1742 b	renovation

Individuals (1 total)

Ricciardi, Jacopo di Giovanni Battista di Bartolommeo di M. Jacopo di Ricciardo

1622

Groups (2 total)

Baldovini Riccomanni		1622 to 1788	d
Ricciardi		1622 to 1788	e

Related Memorials (4 total)

S. Procolo 02b Baldovini del Pannocchia arms over sacristy door:
S. Procolo 03.1 Altare di S. Antonio de Pannocchia	1622
S. Procolo 04.2 Altare della Visitazione de Capponi-Salviati
S. Procolo 18 sepoltura Jacopo di Giovanni Battista Ricciardi 1599:	1622 to 1788

Sources (3 total)

Catalogo generale dei Beni Culturali	rec. 0900097324
ASF, Manoscritti, 624, Rosselli, Sepoltuario Fiorentino, 1657 (copy)	pp. 629, no. 3
G. Richa, Notizie istoriche delle chiese fiorentine	vol. 1, p. 238

Notes

[a] When the church was re-oriented in 1622, patronage rights to the former altar of Sant'Antonio had passed to the Ricciardi family. The new altar, possibly installed by Jacopo Ricciardi who had married Ginevra Baldovini del Pannocchia in 1567, was dedicated to the Annunciation, a designation it carried since at least 1575, when it was recorded as adorned by an altarpiece showing this subject, likely the original painting commissioned in the early fifteenth-century from Lorenzo Monaco, who included St. Anthony in the panel to the immediate left of the narrative scene. (Lenza 2006, p. 184)
[b] Wolfgang Paatz noted that this is the only of San Procolo's renovated side altars to have columns, rather than fluted pilasters and concluded that they had been saved from the previous altar of 1622 (Catalogo 0900097324).
[c] Jacopo installed a tomb at the altar belonging to his wife's family in 1599. He may also have commissioned the new family altar when the church was reoriented and renovated in 1622 or it could have been the work of one of his children or other kin.
[d] According to Rosselli, the Baldovini Riccomanni del Pannocchia arms were in a position on the renovated altar indicating that the wife of the patron was from this family, surely Ginevra di Piero Baldovini, who married Jacopo Ricciardi in 1576.
[e] According to Rosselli (no. 3), the Ricciardi arms were on the left-hand side of the altar indicating that the patron of the new altar was from this family, most likely Jacopo di Giovanni Battista Ricciardi, who married Ginevra Baldovini in 1576 and placed a tomb below the previous altar in 1599.