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Memorials

Badia 040 Corso Ricci 1347 a

Situated In

Badia Fiorentina -- chiesa di Arnolfo -- central aisle

Alternate Names

Sepulcher of Corso di Ardingo de Ricci

Rosselli Number	40.0
Memorial Type
Status	partial
Current Repository	moved
Primary Installation	floor
Secondary Installation	no additional components
Tomb Form	rectangular
Liturgical Orientation	unk
Documented Types	monumento chiusino lastrone
Component Parts	relief sculpture cover slab border Ornamental areas of distinct pattern, material, color, or shape around the edge or boundary of something. With regard specifically to tapestries, refers to the areas around the central field outside the inner guard and within the guard that edges the outer sides of the tapestry. For the narrow surfaces showing the 'thickness' or smallest dimension of thin, flat objects, as distinguished from the broad surfaces, see "edges (object components)."
Decorative Elements
Material	black marble
Database ID	11094

Dates

1347
1586

Inscriptions (1 total)

SEPOLTVRA FATTA /
DA CORSO DI ARDINGO /
DE RICCI /
L'ANNO MCCCXLVII /
RESTAVRATA DA SVOI /
DESCENDENTI /
L'ANNO MDLXXXVI

Tomb made by Corso d'Ardingo Ricci in the year 1347, restored by his descendants in the year 1586

Individuals (5 total)

Ricci, Corso di Ardingo di Guido di Rinieri di Riccio		1347
Ricci, Corso di Ardingo di Guido di Rinieri di Riccio		1347 to 1663
Ricci, Ardingo di Corso di Ardingo di Guido di Rinieri		1350s
Ricci, Zanobi di Ardingo di Corso di Ardingo di Guido		circa 1418 (date is approximate)
Ricci, Ardingo di Zanobi di Ardingo di Zanobi di Ardingo		October 18th, 1505

Groups (1 total)

1347 to 1663

Related Memorials (4 total)

Badia 001a Cappella Maggiore
Badia 039 Bernardo Giugni
Badia 041 monumento Filippo di S. Giovanni Pandolfini:	January 1384 to 1663
Badia verso tramontana 06 Ricci:	1664

Sources (2 total)

ASF, Manoscritti, 628, Sepoltuari da Francesco della Foresta	fol. 8
ASF, Manoscritti, 624, Rosselli, Sepoltuario Fiorentino, 1657 (copy)	pp. 612

Notes

[a] The tomb was at the foot of the high altar stairs and consisted of a marble slab and a manhole cover framed by a black stone border that carried the Ricci heraldic hedgehogs sculpted in brass.