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Memorials

S. Maria Novella 014a Cappella di S. Tommaso Aquino degli Strozzi

Situated In

S. Maria Novella -- chiesa di Santa Maria Novella -- transept -- braccio sinistro (compass west, liturgical north)

Alternate Names

Cappella de S. Tommaso Aquino
Cappella Strozzi di Mantova
Strozzi Chapel

Rosselli Number	14.0
Memorial Type	chapel
Status	extant
Current Repository	in situ
Primary Installation	na
Secondary Installation	na
Tomb Form	na
Liturgical Orientation	N
Documented Types	cappella
Component Parts	mensa tabernacle tomb mural arch stained glass
Decorative Elements
Material
Database ID	274

Dates

circa 1340 (date is approximate) to 1348 a
1351 to 1357 b	decoration

Individuals (4 total)

Strozzi, Jacopo di Rosso di Geri di M. Ubertino di Strozza		circa 1340 (date is approximate) to circa 1348 (date is approximate)
Strozzi, Marco di Rosso di Geri di M. Ubertino di Strozza		circa 1340 (date is approximate) to circa 1348 (date is approximate)
Strozzi, Rosso di Geri di M. Ubertino di Strozza di Arduino Rosso		1340s to present	c
Strozzi, Alesso (fra) di Jacopo di Strozza di Rosso di Geri (OP, maestro di teologia)		circa 1373 (date is approximate) to circa 1376 (date is approximate)

Groups (1 total)

Related Memorials (3 total)

S. Maria Novella 014b tombs of the sons of Rosso from the Strozzi family and of their descendants and wives:
S. Maria Novella 014c tomb of Fra Alessio Strozzi:
S. Maria Novella Strozzi monumento:

Sources (4 total)

ASF, Manoscritti, 628, Sepoltuari da Francesco della Foresta	pp. 338
ASF, Manoscritti, 625, Rosselli, Sepoltuario Fiorentino, 1657 (copy)	pp. 686, no. 14
ASF, Manoscritti, 812, Sermartelli, Sep. S. M. Novella (copy)	fol. 66-67v, pp. 75-78 o.s.
E. Giurescu, Trecento Family Chapels	pp. 112-116

Notes

[a] Giurescu 1997, p. 112
[b] Though they are not documented, the chapel frescoes by Nardo di Cione are dated to the 1350s while the altarpiece was commissioned from his brother Andrea Orcagna in 1357.
[c] The inscription on the arch supporting the stairs to the chapel notes that the three tombs at its feet were intended for the sons of Rosso di Geri, their wives, and their descendants.