Memorials

S. Remigio 10.2a Altare del Crocifisso de Carucci

Situated In

S. Remigio -- chiesa di S. Remigio -- left aisle

Alternate Names

Altar of the Crucifixion
Carucci Altar

Rosselli Number	10.0
Memorial Type	altar
Status	frn
Current Repository	frn
Primary Installation	na
Secondary Installation	na
Tomb Form	na
Liturgical Orientation	N
Documented Types	altare
Component Parts	mensa base plaque
Decorative Elements
Database ID	376

Dates

1570
1633	renovation
1912 a	renovation
1966 to 1970 b	destroyed

Inscriptions (1 total)

1930

D.O.M.
Aram hanc in medio templo existentem Bonifatius Donati Filius Anno CCCCVII. supra mille, Familie sumptibus erexit, et suis fructibus dotavit. Caruccij, et Fatij stirpis eiusdem, cori pariete, cui adherebat diruto MDLXX. huc transtulere, vetustatis carie MDCXXXIII. in nitidiorem formam restituere

To God, the best, the greatest. Bonifazio son of Donato erected this altar appearing in the middle of the church in the year 407 beyond 1000 at his family's expense and endowed it out of his own profits. The Carucci and Fazi, of the very same lineage, with the wall of the choir, to which it was attached, having been torn down in 1570, moved it to here and they restored it from the decay of old age into brighter form in 1633.

Individuals (1 total)

Carucci, Grazia (messer) di Piero di M. Ruggieri di Taddeo di Ruggieri c

1633

Groups (2 total)

Carucci		1570 to 1966
Fazi		1570 to 1966	d

Related Memorials (5 total)

S. Remigio 10.1 Altare de Fazi	1570
S. Remigio 10.2b sep. Grazia Carucci 1648:	1648
S. Remigio 11 sep. d'Antonio di Francesco di Fratino:
S. Remigio 12 Francesco di Matteo Panzanini 1630:
S. Remigio 13 sep. Baldassare di Testa:

Sources (3 total)

ASF, Manoscritti, 250, Priorista Mariani III	fol. 744v
ASF, Manoscritti, 624, Rosselli, Sepoltuario Fiorentino, 1657 (copy)	pp. 563-564, no. 10
Stefano Rosselli, Sepoltuario Fiorentino, autograph	pp. 635

Notes

[a] The altar of the Crucifixion was damaged by fire in 1912.
[b] Under the direction of Guido Morozzi and Marisa Forlani Conti, the four altars along the side walls, including that of the Carucci-Fazi family, were demolished, revealing fresco fragments from the fourteenth century and earlier tomb markers.
[c] The original Fazi altar was moved to the second bay of the north aisle in 1570. Descendant messer Grazia Carucci paid for its renovation in the early seventeenth century when it and three other altars in the aisles were modernized. All four were removed after the 1966 flood.
[d] inscription