Memorials

S. Remigio 24 Altare de Bagnesi

Situated In

S. Remigio -- chiesa di S. Remigio -- right aisle

Rosselli Number	24.0
Memorial Type	altar
Status	frn
Current Repository	frn
Primary Installation	na
Secondary Installation	na
Tomb Form	na
Liturgical Orientation	S
Documented Types	altare
Component Parts	mensa plaque
Decorative Elements	a
Database ID	605

Dates

Maybe 1300s (date is uncertain) b
1455 c	decoration
1619 d	renovation

Inscriptions (1 total)

2574

D. O. M. Hoc Sacellum a maioribus ol. extructum, et a Catharina Raineria Cristophori Bagnesii uxore postea exornatum, doteque auctum, Julianus Senat. et Zenobius Bagnesii Simonis F. F. ad huius Templi decorem in augustiorem hanc formam redigend. cur. familiaribus Insignibus restitutis. Anno Sal 1619

Individuals (6 total)

no surname used, Neri di Bicci di Lorenzo di Bicci	1455
Rinieri, Catharina (uxor Cristoforo Bagnesi)	1500s	e
Bagnesi, Giuliano (senatore) di Simone di Giuliano di Zanobi di Francesco	1619
Bagnesi, Giuliano (senatore) di Simone di Giuliano di Zanobi di Francesco	1619
Bagnesi, Zanobi di Simone di Giuliano di Zanobi di Francesco	1619
Bagnesi, Zanobi di Simone di Giuliano di Zanobi di Francesco	1619

Groups (1 total)

Bagnesi

Related Memorials (3 total)

S. Remigio 22 tabernacolo della Madonna de Bagnesi e Rinieri
S. Remigio 23 sep Piero di Piero Becchi
S. Remigio 25 sep. Francesco di Giovanni di Jacopo dello Sciocco:

Sources (3 total)

Catalogo generale dei Beni Culturali	rec. 0900117439
ASF, Manoscritti, 624, Rosselli, Sepoltuario Fiorentino, 1657 (copy)	pp. 566, no. 24
ASF, Manoscritti, 250, Priorista Mariani III	fol. 649v: Bagnesi

Notes

[a] Though the inscription names both the Bagnesi and Rinieri families, it only carried the arms of the Bagnesi whereas the nearby tabernacle carried both.
[b] The inscription commemorating the altar's renovation in 1619 credits the original installation to ancestors but does not specify which ones or when.
[c] Neri di Bicci painted an altarpiece showing the Annunciation for the Bagnesi altar that was the first on the right upon entering the church. The painting was taken to Santa Maria Novella in 1629, where it remains today.
[d] In addition to refashioning the altar with a new commemorative inscription, the Bagnesi ordered a new altarpiece from Morosini depicting the Annunciation, the same subject painted by Neri di Bicci less than a century earlier.
[e] According to the 1619 inscription, Caterina Rinieri Bagnesi added decoration and endowment to the ancient Bagnesi altar in San Remigio.