Spaces

S. Remigio

chiesa di S. Remigio

nave

Building	S. Remigio
Object Type
Space Type	nave an interior space, specifically the main central part of an interior divided into a high center with lower side portions divided by columns or piers, usually but not always in a church. Use also for the main part of a church without aisles but with a distinct chancel. Alternate Names: navata; navate Getty ID: 300004627
Status	extant
Site	indoors
Count of Memorials	9
Database ID	10133

S. Remigio 03 tomb of Francesco Falconcini 1615
S. Remigio 35 tassello di Franceschino di Pepo Pepi
S. Remigio 38 tomb of Pandolfo Salvucci 1608
S. Remigio 39 lapida di Antonio Fabrini 1601
S. Remigio 40.1 coro vecchio a	circa 1320 (date is approximate) to 1570
S. Remigio 40.2 Carucci e Fazzi memorial plaque	1570 to circa 1820 (date is approximate)
S. Remigio 41 lastrone de Fazi
S. Remigio 42 sep. Vangelista di Naldo Naldi 1493
S. Remigio 43 lastrone della Compagnia

Antonia (mater Francesco and Giovanni Battista Falconcini)	honoree	September 6th, 1615 to circa 1821 (date is approximate)
Fabrini, Antonio di Francesco di Francesco di Giuliano di Antonio	honoree	February 13th, 1601
Fabrini, Francesco di Antonio di Francesco di Francesco di Giuliano	commissioner	1601
Falconcini, Francesco	honoree	September 6th, 1615 to circa 1821 (date is approximate)
Falconcini, Giovanni Battista	commissioner	after September 6th, 1615
Naldi, Vangelista di Naldo di Matteo	honoree	1493
Pepi, Franceschino di Pepo	frn
Salvucci, Pandolfo di Agnolo	commissioner	1608

Carucci	honoree; heir	1570 to circa 1820 (date is approximate)
Compagnia di Santa Maria e Sacramento in San Remigio	honoree
Fabrini	honoree	1601
Falconcini	honoree	September 6th, 1615 to circa 1821 (date is approximate)
Fazi	honoree	1570 to circa 1820 (date is approximate)
Fazzi	commissioner	circa 1320 (date is approximate)
Naldini	honoree
Pepi	honoree
Salvucci	honoree	1608

[a] A tramezzo spanned the piers that divided the easternmost bay of the nave from the central one. Its wall provided shelter and privacy for a choir on its eastern side in which clergy could have an uninterrupted view of the high altar. The choir likely had side walls abutting the eastern faces of the nave piers. It remains unclear why a parish church would have a choir, but San Remigio had been under the patronage of the Benedictine nuns of San Pier Maggiore from about 1066 until 1267 and perhaps the tradition of a choir was continued into the new complex begun when the patronage passed to the Bagnesi family. The presence of a cloister to the south of the church indicates a residential community, which also would have required a choir.