Generic term for ministering spirits or divine messengers known in several theologies, forming an order of spiritual beings superior to man in power and intelligence. In Jewish, Christian, Islamic, and other theologies, the attendants and messengers of the Deity.
Alternate Names: putto; cherub; seraph; archangel
Material
fresco
mural painting with permanent pigments, dispersed in water, painted on freshly laid lime plaster
person who receives rights to and responsibility for a memorial through inheritance
Alternate Names: descendant; inheritor
Getty ID: 300258972
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surmised
presumed role based on incomplete evidence; for burials, we know the burial is in this church, we think it is in this tomb; for patronage and other relationships, there is evidence to suggest the connection, but it has not been confirmed
[a] scenes from the life of the Virgin, attributed to Spinello Aretino by Vasari
[b] Andrea Corsini gave the Carmine 20 florins to assist with the construction of the chapel.
[c] Leonardo Ferrucci left an endowment to decorate the chapel and secure patronage rights for his family at his death in 1374.
[d] The Carmine's Libro dei Obblighi indicates that the brothers Leonardo and Niccolò d'Antonio Ferrucci used rental proceeds from a workshop in the via delli Stracciaioli near the church of S. Leo to maintain the funding of the chapel, which continued through 1525.
[e] so-called Crocifisso della Providenza moved here from Serragli chapel along with all associated obligations
[f] According to the Carmine's Libro dei Padronati, Andrea Corsini gave the church 20 florins to assist with the construction of the chapel.
[g] The Libro dei Padronati records that Leonardo Ferrucci left an endowment for the chapel at his death in 1374.
[h] Vasari credits Spinello as the artist responsible for the chapel's frescoes.
[i] Tuccio made a bequest of 100 gold florins to re-endow his family's chapel with an obligation for a mass on the feast of the Assumption and the day afterwards for his soul. He also requested masses in honor of Francesco di Giovanni di Taddeo Ferrucci da Fiesole and his relatives on July 28th. Carmine records show that his descendants, nephews Leonardo and Niccolò d'Antonio, refinanced their portion of the bequest in 1507 with proceeds from a workshop in via delli Stracciaiolo near the church of San Leo and continued to make payments through 1525. Another descendant, great-nephew Ruberto di Leonardo, arranged for his portion to be paid from proceeds from a house in the parish of S. Pier Buonconsiglio in via del Forese. See ASFi, Corporazioni Religiosi soprresse dal Governo Francese, 113, vol. 13, p. 51, no. 95.
[j] The Carmine's Libro dei Obblighi indicates that Leonardo and his brother Niccolò adjusted the terms of the family endowment of the chapel in 1507.
[k] The Carmine's Libro dei Obblighi indicates that Niccolò and his brother Leonardo adjusted the terms of the family endowment of the chapel in 1507.
[l] Annalena requested an annual office for her soul on the 20th of February at her family's altar, leaving seven scudi for its endowment.
[m] The Carmine's Libro dei Obblighi indicates that Roberto Ferrucci paid a portion of the chapel's endowment in 1533 using income generated by properties in via del Forese and via della Fogna.
[n] Although he was from the Ferrucci of Fiesole, and seemingly not related to the Florentine family of the same name, Francesco nevertheless left a farm to endow thirty masses after his death and then annual masses in perpetuity in the Ferrucci chapel.
[o] Leonardo provided funds for two masses, one in May and the other in November, to be said annually.
[p] The Ferrucci arms were visible from around the death of the patron Leonardo Ferrucci to the chapel's destruction in the great fire.