Rosselli's description of San Frediano suggests that it was a single-aisle church. He begins with the high altar and moves to the left (toward the street) at liturgical north. He then describes the memorials down the left side wall (banda della strada) before coming back up the right side wall at liturgical south.
groups related by blood, marriage, and/or adoption
owner
Notes
[a] The altar of Sant'Andrea stood against first against the left wall when facing the high altar, identified by Rosselli as the "banda della strada" (street side), which corresponded to liturgical north in the lost church of San Frediano. It was above the set of stairs that separated the area of the high altar from the main body of the church.
[b] The Altar of St. Lawrence stood second against the left wall when facing the high altar, identified by Rosselli as the "banda della strada" (street side), which corresponded to liturgical north in the lost church of San Frediano. Rosselli said it was down some steps from the Altar of Sant'Andrea and the east end of the church.
[c] This altar stood third against the left wall when facing the high altar, identified by Rosselli as the "banda della strada" (street side), which corresponded to liturgical north in the lost church of San Frediano. Rosselli said it was past the altar of St. Lawrence in the direction of the main church door in the lower part of the church.
[d] This altar and tomb are described in the sources as under the nuns choir, opposite the Bucetti altar, and from the main door towards the street. Thus, it can be identified as in the first position on the left, liturgical north wall upon entering the church. That is, the last when walking from the high altar to the church's west end.
[e] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar as he describes what is the right hand wall in that direction.
[f] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar as he describes what is the right hand wall in that direction.
[g] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar as he describes what is the right hand wall in that direction. The Comparani altar was second on the right after the Bucetti altar.
[h] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar as he describes what is the right hand wall in that direction. The plaque was on the right wall between the second altar of the Comparini and the church pulpit.
[i] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar as he describes what is the right hand wall in that direction. The San Michele altar was past the pulpit and first two altars on the right hand side but below the steps going up to the high altar.
[j] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar. The altar of the Crucifix was above the set of stairs that separated the area of the high altar from the main body of the church.
[k] While Rosselli calls the north side of the church the "banda della strada" (street side), he does not give a moniker to the south side except to note that he is continuing his counter-clockwise movement through the church and turning back towards the high altar. The tomb of Gostantino Bocchi was at the foot of the S. Michele altar, which was to the left of the church pulpit.
[l] Rosselli did not transcribe the inscription, but his entry suggests that the priest's name was on the tomb.
[m] Given the lack of date on the tomb, it seems likely that Tommaso set it up himself and could have done so in conjunction with his first or second election to the priorate, though it could have happened at any time prior to his death at some time between late 1397 and 1404.
[n] An "M. di" preceding Domenico's name raises questions as to whether the tomb was dedicated in fact to a child whose name started with M. or if the abbreviation signifies something else.
[o] Rosselli noted that this tomb honoring a late sixteenth-century prior of San Frediano who died in 1603 carried a coat of arms and an inscription, but he described neither, preventing a certain identification with this lineage.
[p] In his entry on the Comparini altar, Rosselli noted that it was for the descendants of on Benedetto Comparini, whose patronymic is given with five generations. Whether or not the name Benedetto di Papi di Bartolomeo di Papi di Nanni di Nencio Comparini appeared on the altar or Rosselli found this information in other sources is unclear.
[q] The tomb was dedicated to an unidentified prior of San Frediano. Rosselli mentioned but did not transcribe the inscription though it must have made clear the cleric's relationship to the parish church.
[r] If the tomb honoree was in fact Piero di Andrea di Bindo Tazzi, the tomb would have been installed at some point prior to 1427.
