a circulation space, specifically a Christian religious building space that is a side division of a church where the interior is divided into parts by columns or piers
groups related by blood, marriage, and/or adoption
honoree
Notes
[a] Paolo's father Bernardo died in 1400 when he was an infant. While he legally inherited the tomb at that time, he only gained full access to his inheritance when he reached maturity around 1417.
[b] Ridolfo's father had died by October 28th, 1431, at which time he would have received rights to his grandfather Bardo's tomb. Ridolfo was dead by April 28th, 1464.
[f] The 1596 sepoltuario describes the inscription at the base of the water font as ruined, able to make out only the honoree's patronyms and surname, but a second inscription above on the basin named "the below written Francesco." In 1615, only a coat of arms is mentioned by Francesco della Foresta, and in 1652 Stefano Rosselli descrbied the font as broken.
[g] The Priorista Mariani reports that he was likely the last in the family line.
[h] given Giovanni Francesco's burial in the tomb, it is assumed that all his Boscoli male antecedents were heirs to the tomb and likely buried there as well
[i] ownership has passed to his sons by compiling of 1596 sepoltuario
[j] the tomb carries his date of 1400, so viewers would think he had been honored there since that date even though the slab was installed later
[k] the tomb carries his death date of 1400, so viewers would think he had been honored there since that date even though the slab was installed later
[o] Leonardo's father was prior in May and June 1411, but was dead when drawn for office on September 12th, 1417.
[p] Uberto's father was prior in May and June 1411, but was dead when drawn for office on September 12th, 1417.
[q] Zanobi's father was guild consul in the first trimester of 1408, but was dead when drawn for office on August 29th.
[r] Only the 1439 Santa Croce sepoltuario and its copies mention Messer Amerigo's wall tomb, suggesting that it was removed when the tramezzo and choir were taken down in 1566.
For the dismantling of the tramezzo see Marcia B. Hall, “The ‘Tramezzo’ in S. Croce, Florence and Domenico Veneziano’s Fresco.” The Burlington Magazine 112, no. 813 (1970): 799.
